how to draw a 3d sleigh

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Dragons are beautiful creatures that, unfortunately, don't exist. This elementary fact makes cartoon them quite problematic - is there any way to draw them correctly? I can evidence you how to describe a dragon head in a realistic style, in every pose in 3D space. Y'all only need to consider the basic structure of a skull shape and piece of work from there.


i. View the Skull in 3D Shapes

Pace i

Here's a 3D model of a dragon skull I've created for you (you lot can download it and utilize equally your reference in any 3D software). I'yard going to refer to this 3D model to prove yous the key areas on the skull. Can you identify the upper jaw, the lower jaw and the encephalon example? You could even option out the eyeball socket, the nostrils, teeth and horns. If you consider each one of these areas, you can build upon information technology to design your ain dragon. That's all we're going to need.

dragonhead_1-1_skull dragonhead_1-1_skull dragonhead_1-1_skull

Step two

Here'southward a programme of the same skull. Simplified plans are the best way to start a drawing. This program is still likewise complicated, though. There are besides many weird angles you'd need to take care of when turning the head. Permit's simplify it even more!

dragonhead_1-2_skull_scheme dragonhead_1-2_skull_scheme dragonhead_1-2_skull_scheme

Stride 3

At that place information technology is! As y'all can see, it's less accurate - it doesn't fit the skull'south outline any more. Notwithstanding, simple shapes brand the pose establishment easier, and nosotros can rework them later to adjust our needs.

dragonhead_1-3_skull_scheme_simplifeid dragonhead_1-3_skull_scheme_simplifeid dragonhead_1-3_skull_scheme_simplifeid

Step 4

While the upper part's movement depends on the neck, the lower jaw can move on its own up and downward (and sometimes left and right too, but pure carnivores tin't really chew). The circumvolve signal shows the axis of rotation we'll need later. Effort looking at other skulls of carnivores for examples of this mechanism, like crocodiles. They have long palates which rotate on a similar axis.

dragonhead_1-4_scheme_mouth_open dragonhead_1-4_scheme_mouth_open dragonhead_1-4_scheme_mouth_open

Pace five

OK, so we know how to draw a dragon caput from ane side. But if yous tried drawing dragons earlier, you probably guessed how to go this far on your own, every bit it'due south quite intuitive. What you lot want to learn is how to create a 3D pose, right? And so, let'southward create 3D blocks of the 2D shapes that the skull is built of.

Basically, nosotros've got an oblate ball, a cuboid and an "50" shape laying apartment. These blocks will let united states build a dragon head!

dragonhead_1-5_blocks dragonhead_1-5_blocks dragonhead_1-5_blocks

2. Create a 3D Pose

Before we start, allow's become technical. This tutorial volition exist based on simplified perspective tips. While it'due south not "technically" accurate, information technology's a good do to exercise the thinking in 3D. How you lot envision a dragon may be dissimilar to how I do; that is completely fine. However, nosotros're going over the 3D mechanics of a skull for the initial part of the tutorial and this theory work will be valuable for your ain creations.

Step ane

Allow'due south kickoff with a brawl. It doesn't need to be perfectly round, what we practise now is merely a sketch, a base of operations for something more.

  • If you draw traditionally, continue the sketch light and almost invisible (a difficult pencil may exist good for this stage).
  • If you describe digitally, go along the sketch on a layer you'll be able to delete later.

The arrow shows the direction our dragon will exist facing.

dragonhead_2-1_braincase dragonhead_2-1_braincase dragonhead_2-1_braincase

Step ii

Time for the upper jaw. We need to draw the 3D cuboid. Intuitively, nosotros should depict two rectangles. As the rima oris is tapered, you'll demand to make the rectangle at the front end of the mouth smaller.

The vertical distance should depend on the oral cavity's length, while their horizontal altitude should depend on the arrow's management. It's only partially right, though.

dragonhead_2-2_upper_jaw dragonhead_2-2_upper_jaw dragonhead_2-2_upper_jaw

Step iii

The one-point perspective cube that nosotros depict in geometry classes is, in fact, an incommunicable effigy. This means you can draw it, only it doesn't be in 3D space. Don't believe me? Only take any cube and try to identify it a position to run across a perfect square and a bit of two sides at the aforementioned time. Surprised?

To make the mouth more natural, nosotros need to tilt one of the sides - a or b. The next step will get into more than detail almost this.

dragonhead_2-3_upper_jaw dragonhead_2-3_upper_jaw dragonhead_2-3_upper_jaw

Pace 4

Here comes some math! If you're familiar with perspective rules, you tin can skip this step. The balance of y'all, don't worry - y'all don't demand to learn everything by heart, these rules are pretty easy to follow:

  • When all the sides are the aforementioned lengths and the angles are ninety degrees, we tin can see a square.
  • When you rotate the figure horizontally, the left or right side appears. The more you rotate, the shorter c and a go, and so more of the new side is visible.
  • When you rotate the effigy vertically, the top or bottom appears. The more you lot rotate, the shorter b and d become, and so more of new side is visible.
  • You lot can't see both the top and bottom at the aforementioned time.
  • You tin change the bending betwixt sides to come across 3 of them at the same time.
dragonhead_2-4_perspective_lesson dragonhead_2-4_perspective_lesson dragonhead_2-4_perspective_lesson

Step 5

Allow's come up back to the dragon. Now create the correct 3D shape. You lot are free to use any lengths and angles for now, but later y'all'll demand to friction match the other elements to them.

dragonhead_2-5_upper_jaw dragonhead_2-5_upper_jaw dragonhead_2-5_upper_jaw

Pace 6

We'll draw the lower jaw now. Do you remember the "L" shape? Information technology should be longer than the upper jaw, with an additional role attached to information technology. It likewise needs to be placed right under the upper jaw.

My mouth is going to be tapered, and so the part in the forepart is smaller and then the 1 behind it. Detect that I adhere the bigger part to the back of the upper jaw.

dragonhead_2-6_lower_jaw dragonhead_2-6_lower_jaw dragonhead_2-6_lower_jaw

Pace 7

Since the lower jaw is longer than the upper jaw, and they both beginning at the aforementioned point, we need to move the back role a bit deeper. To find the correct direction for information technology, you can describe two lines across the upper jaw'due south sides. If your mouth is tapered like mine, you demand to pretend information technology's a cuboid for a moment.

dragonhead_2-7_lower_jaw dragonhead_2-7_lower_jaw dragonhead_2-7_lower_jaw

Step eight

Now just "slide" the dorsum part beyond your guides to get the correct distance.

dragonhead_2-8_lowe_jaw dragonhead_2-8_lowe_jaw dragonhead_2-8_lowe_jaw

Step nine

This is the like shooting fish in a barrel part: depict in the remainder of the jaw.

dragonhead_2-9_lower_jaw dragonhead_2-9_lower_jaw dragonhead_2-9_lower_jaw

The pose is ready! Wait... A dragon with its mouth closed is a peaceful dragon, but what if we want to draw a fearsome muzzle seething with anger? See the next steps if you desire to learn the answer.

dragonhead_2-10_mouth_closed dragonhead_2-10_mouth_closed dragonhead_2-10_mouth_closed

iii. Depict an Open up Oral fissure in 3D Infinite

Pace 1

If we want an open mouth, we need to draw the residual of the "50" shape. Its dorsum, upper part will be the axis of rotation; nosotros need this centrality to ascertain the side by side pose.

dragonhead_3-1_mouth_open dragonhead_3-1_mouth_open dragonhead_3-1_mouth_open

Step 2

Let'southward open the rima oris equally much equally possible (a right angle is the limit, in my stance). A 90 degree rotation is quite like shooting fish in a barrel to exercise; the top becomes front side and the back becomes peak. The correct side only switches the lengths.

dragonhead_3-2_mouth_open dragonhead_3-2_mouth_open dragonhead_3-2_mouth_open

Step 3

Nosotros need to find the middle of the mouth. To practise this, draw a line across the upper jaw and the rotated block. Then describe a vertical line downwards. The angle between the two lines is ninety degrees, but perspective alters it.

dragonhead_3-3_mouth_open dragonhead_3-3_mouth_open dragonhead_3-3_mouth_open

Stride 4

Imagine a huge circle with a center in the corner of our right angle. Describe only the part that's betwixt the lines.

dragonhead_3-4_mouth_open dragonhead_3-4_mouth_open dragonhead_3-4_mouth_open

Step 5

An open mouth volition be moving along a curve. You can see the front end part of the lower jaw volition keep narrowing while sliding downwards, until we finish seeing its front (and the inside is visible instead).

dragonhead_3-5_mouth_open dragonhead_3-5_mouth_open dragonhead_3-5_mouth_open

Step half dozen

To accept the mouth wide open, you need to depict the front of the mouth turned away from you, and so connect it equally unremarkably with the rotated back function. The lower lip should touch the bend.

dragonhead_3-6_mouth_open dragonhead_3-6_mouth_open dragonhead_3-6_mouth_open

Step 7

Since you know how the closed and fully open up rima oris looks, you can easily find every transitional position. You lot merely need to imagine the "L" part rotating over the axis, and the mouth sliding over the curve between jaws. Call back to e'er impact it with the lower lip!

dragonhead_3-7_mouth_open dragonhead_3-7_mouth_open dragonhead_3-7_mouth_open

Stride 8

This is how my dragon guide sketch looks. If yous're drawing traditionally and your sketch looks very messy now because of all these lines we don't need whatever more, you can trace the sketch on a new page. Keep information technology light! If you're drawing digitally, only lower its opacity, lock information technology, and create a new layer.

dragonhead_3-8_mouth_open dragonhead_3-8_mouth_open dragonhead_3-8_mouth_open

4. Form the Basic Structure of the Dragon

Pace 1

Once we have our simple blocks defined, we need to add more complicated blocks to pad out the face up. When you draw a dragon without thinking virtually 3D, you just draw an eye or optics, nostrils and horns, and that'due south all. The whole face is apartment and unnatural. You need to plan the face masses first, and then draw all the bulges and depressions. Come across them in 3D!

Again, it'south still in the sketch phase. It ways you need to go along the new lines light (or on a new layer). Let's draw the upper jaw first. Information technology should exist connected to the brawl, but you lot don't really need to be strict with the shape. Use the pose sketch every bit a guide, only don't trace it.

dragonhead_4-1_sketch_mouth dragonhead_4-1_sketch_mouth dragonhead_4-1_sketch_mouth

Step 2

Depict a brow besides. As y'all can run into, I didn't worry almost the model'southward size at all. It's the direction that matters.

dragonhead_4-2_skecth_forehead dragonhead_4-2_skecth_forehead dragonhead_4-2_skecth_forehead

Footstep three

Add together the brow ridges at a whole forehead's width. You can fifty-fifty describe them from the nose to the end of the caput.

dragonhead_4-3_sketch_brows dragonhead_4-3_sketch_brows dragonhead_4-3_sketch_brows

Step iv

The lower jaw is almost traced, as there's no room for whatever changes (yet).

dragonhead_4-4_sketch_lower_jaw dragonhead_4-4_sketch_lower_jaw dragonhead_4-4_sketch_lower_jaw

Footstep 5

Place the middle in a socket. Where to place it? One helpful tip: herbivores generally have their eyes on both sides of the head for the widest field of vision possible (to see an enemy while eating). Carnivores have their eyes on the front of the confront for a precise sight (compare a horse and a panthera leo). Therefore:

  • If you want a dragon with gentle look, identify its eyes relatively far from the forepart of the face.
  • If you want a murderous beast, place its optics closer to the oral fissure.

Can you estimate what kind of dragon I drew?

dragonhead_4-5_sketch_eyes dragonhead_4-5_sketch_eyes dragonhead_4-5_sketch_eyes

Step 6

Since all the shapes are nicely defined, we can start cartoon for real! Catch a softer pencil or create a new layer and let's go!

dragonhead_4-6_sketch_done dragonhead_4-6_sketch_done dragonhead_4-6_sketch_done

5. Depict the Dragon's Features

Footstep 1

While horns wait pretty easy to draw, people tend to have problems with them. Anybody has their ain manner, but if you want your dragon to look natural (so, more realistic), don't make them precipitous. Horns wearable down when used! Likewise, straight ones look quite bogus, so bend them a little.

dragonhead_5-1_horns dragonhead_5-1_horns dragonhead_5-1_horns

Step 2

Dragons are generally covered with small scales that resemble pare (similar snakes), or with big plate-scales. While minor scales are very easy (and boring) to draw, plates are what brand them look massive and armored. Once you larn how to draw them, you'll run across it's much faster than covering whole torso with a bazillion footling ellipses! So, three tips:

  • Yous can imagine a single plate-calibration is a hand with three fingers. This hand tries to embrace the surface information technology's laying on, and so virtually of the time we'll see just a half of it (2 fingers).
  • When the scales abound bigger, they don't only increase their size - they're like fractals. It works like a growing tree that gets more branches with a fourth dimension.
  • Scales lay upon each other, merely they're not glued together; when their base is bending, they "open".
dragonhead_5-2_scales dragonhead_5-2_scales dragonhead_5-2_scales

Step 3

When you draw a scale (or annihilation made of natural textile), it doesn't demand to exist perfect. Nature isn't perfect! Scales aren't made of plastic; they have been growing for a long time, in the rain and cold; they accept been hit and scratched, and that has changed them. (Or, if your dragon is made of adamantium, zero inverse them. Perfection is fine in that case.) Don't be afraid to raise your pencil and come back to the line you lot but started - long, shine lines requite a cartoony wait. Don't try to fix your lines either, or you'll get a mess.

dragonhead_5-3_scales dragonhead_5-3_scales dragonhead_5-3_scales

Footstep iv

Since nosotros know how the scales work, nosotros can get-go to dress our dragon. Get-go, nosotros'll accept intendance of the eyebrows. They look but like tapered cylinders, and then it's easy to imagine how the scales should exist placed. Outset with the one on the front - the only one that will exist fully visible. Then describe another, a little bigger, and and so on. Every other calibration may be more than complicated than the previous one, just as if you were drawing them growing!

dragonhead_5-4_scales dragonhead_5-4_scales dragonhead_5-4_scales

Step five

Now, place your scales from the nose to the terminate of the head. This time they're quite similar, as the surface they're laying on barely changes its shape. They as well can lay flat.

dragonhead_5-5_sales dragonhead_5-5_sales dragonhead_5-5_sales

Footstep half-dozen

I'k not going to teach you virtually an heart's shape, because they can exist actually different. However, there'due south one universal thing: the eye is placed in the eye socket, covered with eyelids, and protected with two big bone masses - the brow ridge and the zygomatic bone. There are two things to think:

  • If dragon's pare is very thick, the eyelids are probably quite thick likewise - therefore, when the eye is open, the eyelid will take a stiff contraction.
  • There'due south a right angle betwixt the tiptop of the zygomatic bone and the eyeball, and so keep that in listen when changing the pose.
dragonhead_5-6_eye dragonhead_5-6_eye dragonhead_5-6_eye

Step 7

This is how I drew the middle:

dragonhead_5-7_eye dragonhead_5-7_eye dragonhead_5-7_eye

Footstep 8

Time to draw the remainder of the mouth. Draw information technology with your hand shaking - this fashion yous'll get a lot of interesting shapes, which are so much better than boring smooth lines. Also, can you see the little depression? It'southward non required; you can keep your mouth round if you desire.

dragonhead_5-8_mouth dragonhead_5-8_mouth dragonhead_5-8_mouth

Footstep nine

Allow'southward draw the lower jaw! It's going to be quite complicated, because of all the teeth and and then on, and so permit's take it deadening. Start, draw the front office of the jaw (a shaking hand will aid you again). We as well need to add together this potent jaw muscle that opens the mouth. The bigger the angle of opening, the more stretched the muscles. This tension adds a lot to the moving-picture show!

dragonhead_5-9_lower_jaw dragonhead_5-9_lower_jaw dragonhead_5-9_lower_jaw

Footstep 10

By and large, teeth are going to employ the same curve to slide over when the mouth is opening, because the upper and lower ones want to meet - but similar the jaws. Besides, don't forget:

  • Teeth wear out too! Don't make them all pointy or they'll seem unused.
  • The kind of teeth tells a lot about your dragon. Should they be similar a T-Rex's, or more like a panthera leo'due south? What does it eat, and how does it hunt?
  • Dragons can't expose their gums like wolves, considering their skin is much harder, but they nonetheless should be visible when the rima oris is open up.
dragonhead_5-10_teeth dragonhead_5-10_teeth dragonhead_5-10_teeth

Step 11

A tongue is usually plump, so don't make it flat. It needs to help the huge animal consume quite large things, afterwards all! Points to consider:

  • If your dragon can eject its natural language long out of the mouth while roaring, enquire yourself: what's the indicate of this? I don't really know any fauna that does it, so you need to detect a good reason to make it "realistic".
  • A forked natural language is an organ of smell. Snakes flick their tongues out all the time and, theoretically, your dragon should do the same if it has a forked natural language. Otherwise, it's pointless!
dragonhead_5-11_tongue dragonhead_5-11_tongue dragonhead_5-11_tongue

Pace 12

The caput is almost complete, and so let's just add an chemical element to merge both jaws together. You lot can utilize bony wings here, additional horns and spikes, anything you like! Just remember - information technology all should serve a purpose (for example, to await bigger or more attractive for a potential mate).

dragonhead_5-12_spikes dragonhead_5-12_spikes dragonhead_5-12_spikes

Stride 13

So, the head is done! It'south all the same but a line art, so if you want to learn how to make it more attractive, see the next stride.

dragonhead_5-13_full dragonhead_5-13_full dragonhead_5-13_full

6. Add together a Spark to Your Drawing

Pace i

We're going to practise the inking now. Digital artists are in a meliorate position here, but traditional markers and ball pens will exercise too!

Our picture is made of lines of most the same width. Stress some of them to add importance to the diverse areas.

dragonhead_6-1_shading1 dragonhead_6-1_shading1 dragonhead_6-1_shading1

Pace two

Add some darkness to wherever it's needed. Here, I want to testify the difference between the within and the exterior of the mouth.

dragonhead_6-2_shading2 dragonhead_6-2_shading2 dragonhead_6-2_shading2

Pace 3

Cover the horns and teeth with sparse curves. They should be thinner than most of the lines that build the picture.

dragonhead_6-3_shading3 dragonhead_6-3_shading3 dragonhead_6-3_shading3

Step four

Use the same thin lines to sketch shaded areas. Keep it loose and fast. When you want to darken a place, cross the lines, but don't modify the pencil!

dragonhead_6-4_shading4 dragonhead_6-4_shading4 dragonhead_6-4_shading4

Step 5

Hither is what I've got by adding depth to the scales.

dragonhead_6-5_shading5 dragonhead_6-5_shading5 dragonhead_6-5_shading5

Step 6

Await at your picture and cheque whether it needs any more contrast. If a identify is already covered with lines and you want to brand it darker, you can use a bigger brush or softer pencil there.

dragonhead_6-6_shading_done dragonhead_6-6_shading_done dragonhead_6-6_shading_done

Awesome Work, Y'all're Now Done!

Yous've just learnt how to create a 3D pose and draw a disarming dragon head. I promise you liked information technology! Feel costless to come dorsum here any fourth dimension if you lot demand a quick reminder.

dragonhead_final2 dragonhead_final2 dragonhead_final2

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Source: https://design.tutsplus.com/articles/how-to-draw-a-realistic-dragon-head-in-3d-space--vector-14639

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